With the highest quality. It seems obvious, but, unfortunately, often everyone rushes to snatch a piece here and there. And it looks very strange. Does an aspiring musician ne a producer to promote? The producer is important and many, however, ne it. He directs. Specifies a vector. At the same time, he should not suppress the musician, but prompt him in time – usually musicians ne this. But someone works without a producer, someone with him – there are no uniform rules. There are no rules at all. how to choose a good producer? Are there any criteria? As in any business, you ne to look at a person, at his work, to coincide with him in views, in approach in goals.
When a musician already goes
The pr what level should he be? There are such Singapore Email List nuggets who come with one guitar and demonstrate something cool to the producer? There are. Anything can happen. Here the task of the producer is to see the talent and potential, to see the hit, even if the musician comes with raw material. As for the pr manager, he is ne at the stage when, in general, there is already something to promote, when there is a product. Tell me about content platforms. What can and should be us for promotion? Instagram is developing very well, video content is now on the wave.
On vkontakte the video is now automatically
Facebook this has long been debugg and gives Doctors Email List a very good return. It seems to me that short videos are the future of promotion. And speaking in general, then everywhere and always you ne to look at what kind of audience you have and where it is most active. Katya_pavlova1 when you go out to the masses, the question of copyright immiately arises. Do I ne to enlist professional legal support or can I pull up the legal side of the issue myself? It is better, of course, to contact lawyers. For example, we have a lawyer with whom we constantly consult.
